Hollow all day long. Can be sharpened many times while maintaining (relatively) narrow edge bevels.
I could not concur more with this.The problem with your poll is that it is meaningless without exact dimensions.
For example, a flat grind can be virtually identical to a convex or concave grind, or it can be more acute or less acute. It can have more or less metal behind the edge. On and on.
The nice thing about a flat grind is that it is easy to describe and achieve. If I say I put a 15 dps flat edge on a blade, anyone can reproduce that exact edge angle. If I also specify the edge width (behind the edge) the whole edge can be replicated exactly by anyone. The other edges are way more difficult to describe and replicate.
A flat edge can be acute or brutal. You can easily modify it with a microlevel or, as 000Robert says, by cutting back the shoulders.
All of these grinds, depending the exact geometry you give them, can be excellent performers or any given task.
I'm sure this will horrify some folks, but I think your observation about Buck's grind applies (albeit to a lesser extent) to Chris Reeve knives. The Sebenza has a beautiful hollow grind, but the thinnest part of the hollow is a fair bit north of the edge. To make the Sebenza a better slicer, I put a dual-grind on it, with a 12° secondary bevel and then a 15° edge bevel.As they're pictured in the OP, my idea of a standard hollow grind usually matches the diagram labelled as 'hollow' - leaving the edge grind itself essentially a standard V-beveled edge - same as the factory edge grind on the vast majority of knives anyway, regardless of their primary grind shape behind it. A hollow grind is still 'concave' in the basic geometric sense, even if the 'concave' grind on each side doesn't extend all the way to the cutting edge. Taking the concavity on each side all the way to intersection at the apex would obviously leave the edge extremely thin and very sharp, but also weak and vulnerable to damage. I couldn't see much practicality in that, in my own uses.
I view all truly sharp edges as having essentially a V-grind nearest to the apex itself, no matter how narrow the 'bevels' of that V-grind might be (down to microscopic in width) and no matter what the overall (primary) grind is - flat, convex or hollow/concave. So long as the steel behind the apex is adequately thin enough to provide good cutting geometry through many resharpenings, and adequately thick enough to provide decent edge strength in normal uses, I feel the primary grind (and its thickness) to the spine will have the more noticeable impact on how the blade as a whole functions in cutting.
Every knife I've ever REALLY liked for ease of slicing all have the thinness of the primary grind in common, at least, with the very thinnest and best examples usually being a very thin, full-height hollow primary grind up to a relatively thin spine. But very thin & flat primary grinds (like a Victorinox paring knife), or very thin & shallow convex primary grinds (like an Opinel, even with its standard V-bevelled secondary grind) have also impressed me nearly as much for ease of slicing.
And for thicker blades, a polished convex to round off and smooth out the shoulders of what would otherwise be a thick V-ground edge can make a big improvement in cutting. Buck's old 440C blades were notoriously thick behind the edge, in spite of the fact they were also ground to a hollow profile for some width behind the cutting edge. Picture below, of one of Buck's old 112 blades, a '2-dot' in 440C. The best thing I ever did for that knife was to thin, convex and polish the grind below the 'hollow', which turned that blade into a vicious, slick-slicing cardboard cutter. Prior to doing that, the thick-edged, V-beveled shoulders of the edge grind were terrible about binding up and getting pinched in heavy cardboard.
I have three older Sebenzas myself - 1 large one and 2 of the smaller ones, all in S30V. I did find the original edge grind to be kind of unimpressive, in terms of the geometry. Aesthetically, they were finished beautifully at the edge, but somewhat wider and more polished than I liked - didn't have much bite in the edge. I did thin the large one out a bit, by freehand means, to something a little less than 30° inclusive. The two smaller ones I haven't touched - they've been kept essentially as safe queens, while I decided to keep & maintain the larger one as a user. Just thinning the edge a little bit and using nothing more than a Coarse or Fine DMT to set the working edge, I've liked how it's cutting much better since doing that.I'm sure this will horrify some folks, but I think your observation about Buck's grind applies (albeit to a lesser extent) to Chris Reeve knives. The Sebenza has a beautiful hollow grind, but the thinnest part of the hollow is a fair bit north of the edge. To make the Sebenza a better slicer, I put a dual-grind on it, with a 12° secondary bevel and then a 15° edge bevel.
That is about how I handle most knifes. I usually change the angle at a grit progression, kind of an approximation of a convex edge.I'm sure this will horrify some folks, but I think your observation about Buck's grind applies (albeit to a lesser extent) to Chris Reeve knives. The Sebenza has a beautiful hollow grind, but the thinnest part of the hollow is a fair bit north of the edge. To make the Sebenza a better slicer, I put a dual-grind on it, with a 12° secondary bevel and then a 15° edge bevel.