The BladeForums.com 2024 Traditional Knife is ready to order! See this thread for details:
https://www.bladeforums.com/threads/bladeforums-2024-traditional-knife.2003187/
Price is $300 ea (shipped within CONUS). If you live outside the US, I will contact you after your order for extra shipping charges.
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If I have a lot tree trunks that have been split in half along the long sides, do I only have to paint the short ends and not the long sides? Is that what you mean? And should I keep the bark on, or remove it?I have had some pieces of wood tear themselves into matchsticks even when I am letting them dry slow. My best suggestion is to cut your wood into 2-3" slabs, paint/wax the ends and let them dry for a year or two. Then turn them into blocks and stabilize.
I have a pile of wood under my porch and I toss interesting pieces onto it when I find them. I've been doing that for years now so I have a fair bit that is ready at any given time.
It seems like you can speed things up when the moisture content gets down around 14% or so, but don't quote me on that. I just see some guys around here with drying cabinets that they use, but it seems like they use them when the wood gets close.
No idea if this would work for wood drying, but what about freeze drying? They do it with food all the time, freeze first & then pump out the moisture under a vacuum? Not sure about the wood fibers when they freeze, might blow out the wood & cause cracking, but then again...
Yes, the end grain is where the majority of moisture is lost.do I only have to paint the short ends and not the long sides?
Most folks will recommend removing the bark, bugs like bark to give them shelter, food and to burrow holes for homes. I left the bark on a lot of my maple, but the pieces were inside and bugs didn't have easy access to them.And should I keep the bark on, or remove it?
That should work fine.And will it be ok to paint them with paraffin wax?
I'd say anywhere that's convenient, out of the elements and protected from insects (ie, not laying directly on the bare ground, unless you're trying to encourage spalting, that is) would be fine. The warmer and dryer the area, the faster they will dry.Where will be the best place to let them dry? Outside under a roof, or inside on a dry place with 20+ degr celsius?
Yes, the end grain is where the majority of moisture is lost.
Most folks will recommend removing the bark, bugs like bark to give them shelter, food and to burrow holes for homes. I left the bark on a lot of my maple, but the pieces were inside and bugs didn't have easy access to them.
I'd say anywhere that's convenient, out of the elements and protected from insects (ie, not laying directly on the bare ground, unless you're trying to encourage spalting, that is) would be fine. The warmer and dryer the area, the faster they will dry.
I'm not sure how much you plan on doing of this, or how humid Norway is, but if you are going to do a lot of this (and if where you live is as humid as the foothills of Mt Rainier in Pacific NW Washington), I'd recommend experimenting a bit. I found that when I had my place in WA and was processing a bit of maple burl, it was humid enough throughout the year that I found that painting the ends was a waste of time for me. In fact it slowed the process and my unpainted pieces didn't split/check much more than the unpainted pieces.
I am late to this discussion ... but i have wondered whether it would work to wrap a piece of wood in plastic, then place in a sunny spot. Kind of like a mini solar kiln. (In drying kilns, they heat, but close them up to keep the humidity inside the kiln at a higher level. The heat increases the drying rate, the humidity drastically reduces the splitting). I dont know if just wrapping in plastic would suitably emulate a kiln ... but think it would be interesting to try
But solar kilns, which are widely accepted and effective, explicitly use the sun to heat them......This is a very bad idea.
one of the most important things to do is KEEP WET WOOD OUT OF SUNLIGHT.
This is basically always cause cracking. The heat will always be uneven and least to lots of fine spiderwebbing cracks on the surface exposed to the light.
Are you so absolutely sure about what you are saying that you maintain that it is not at all even worth considering trying?They use the sun for heat, but the light is not hitting the wood directly. Plastic wrap would allow direct sunlight
I noticed another fellow that sells slabs close to me has made a booth out of a wood frame and plastic....a bit like a greenhouse but only about 5 feet tall. He had a fan at one end and small opening at either end in the plastic. I assumed it was an effective way of drying faster, but I never talked to him about it. The guy sells hundreds of slabs a year so I'm sure he knows what he is doing.I am late to this discussion ... but i have wondered whether it would work to wrap a piece of wood in plastic, then place in a sunny spot. Kind of like a mini solar kiln. (In drying kilns, they heat, but close them up to keep the humidity inside the kiln at a higher level. The heat increases the drying rate, the humidity drastically reduces the splitting). I dont know if just wrapping in plastic would suitably emulate a kiln ... but think it would be interesting to try
This is just my experience and I am not an expert...but I have found that if I cut things too thin they seem to be more likely to warp or twist as they dry. If I am planning on the piece becoming knife blocks I tend to cut into 2 1/8" thick boards so I can split them again later when they are dry. If they are becoming native american flutes I cut them into 2 5/8" boards.Will it be adviceable to cut burls into thinner pieces in order to let them dry faster, like 5 cm thick slices?