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I have a couple of knives now that came with convex edges. They are amazingly good cutters. My chefs' knife seems to glide through everything I throw at it, even though it doesn't seem to have a particularly sharp edge, but it could be that it is currently my only carbon steel kitchen knife (since I sold the other one).
I have to admit that I am fascinated by this, and I wish I had more objective data on the performance aspects of a convex edge - like two knives that are exactly the same except for a v-ground edge vs. a convex edge and then test them against each other on a variety of tasks. The physics of why a convex edge baffles me, because the actual edge is at a more obtuse angle than an equivalent v-ground edge. This seems like it should make a convex edge less proficient in cutting/slicing in practice. One possible reason that a large chefs' knife with a convex edge might perform well in the kitchen is because the curvature of the edge bevel would tend to direct moist foodstuffs away from the blade, reducing drag that provides resistance while cutting, while a v-ground edge would have the food dragging along the wnole cutting edge bevel until it breaks at the junction with the shoulder. To put it more simply - the elimination of a shoulder lessens drag when cutting.
Any one care to comment on this?
I've constantly sung the praises of 'smoothing or rounding' the shoulders of the bevel, while leaving the original V-edge intact.
Thanks, David.
This makes a lot of sense to me, but to be technical about it, a v-edge with rounded shoulders is just that and not a TRUE convex edge, though the distinction may be academic. One question that interests me is how a convex edge (produced from the get-go with no v-edge) might be a good slicing edge though it may be technically rather broad right at the edge. I don't know if MY knives with convex edges started out as v-edges and then got touched up or not. I do not know what the true angle of the cutting edge is (which, if it were a TRUE convex edge would be 2x the tangent of the convex arc where it intersects the arc of the opposite side).
If one starts out making a convex edge without first making a v-edge, for example, by doing the mousepad/sandpaper sharpening routine, and if they could hold the knife at a constant 15 degree angle to the sandpaper the whole time, they are going to end up with a cutting edge something greater than 30 degrees inclusive, depending on how firmly they are pressing down on the mousepad/sandpaper. Let's say that this routine yields a true cutting edge that is 40 degrees inclusive. I can IMAGINE a scenario where this 40 degree convex edge produced in this manner would out-slice a 30 degree v-edge. Of course, I don't think that there would be any way to evaluate this in a practical, real world way.
What do you think?
This might sound like heresy to some, but I believe a 'true' convex (all the way to the cutting edge), in the strictest sense, is vastly overrated and prone to problems in maintaining or creating it. When the curvature extends all the way to the edge itself, there's too much opportunity for the edge (apex angle) to become wider, as you've described, or just simply rounded off. This is why I'm an advocate of convexing the bevels, without getting too close to the edge itself. When I 'convex' my edges, I think of it in terms of 'sneaking up' on the edge, without quite touching it (or just barely 'kissing' it, at feather-light pressure). Too many folks have tried and tried to stick to the pure definition of 'convex', by sanding all the way to the edge itself, using a too-soft backing with too much pressure and inconsistent angle, and have come away with what amounts to a dull edge as a result. All created by the handicaps thrown in (less than perfect angle control, too much pressure, too soft a backing, etc.) and by stubbornly trying to convex the entire bevel, as opposed to protecting a perfectly good V-edge and convexing what's behind it (I say this, because I went down that road myself, before realizing it's completely unnecessary, and almost always counter-productive).
A convex doesn't have to be obtuse, or even more than 30°. It's all about degrees of curvature. Some convexes can be very thin & subtle, but still convex. Any freehand-sharpened edge will eventually become convex. The angle used, the consistency with which the angle is maintained, pressure exerted and the firmness/hardness of the sharpening medium (mousepad, firm/thin leather, wood, stones) will be the biggest factors influencing how thin/acute the result will be. I have an old Buck 112 that I 'convexed' in the 'true' sense, using only a thin leather-on-oak strop block and sandpaper. Completely erased/removed the original V-edge in the process (which was obscenely thick), and the finished cutting edge is still quite 'thin', even on this thick-bladed knife. It's dependent on maintaining a lower angle, on the thin & firm backing. I've never liked using a mousepad, because it's difficult to avoid making the edge too wide. The backing is too soft, and will round off the edge, if pressure is just a little too heavy. A firmer backing, such as thin or very stiff leather on a hard backing (glass, hardwood) is still forgiving, but less prone to the problems created by softer backing. Similar results could be obtained by using a backing of varying thicknesses of stacked paper over glass (fewer layers = firmer, more layers = softer). I've used this method to thin the convex on a couple of Opinels, and it works very well. In fact, I did the heavier sanding & thinning over a more forgiving backing of more layers (for the sake of the convex above the edge), and then started decreasing the number of layers as I approached the cutting edge, and for the refining stages. In a nutshell, making the backing under the sandpaper firmer, the closer I get to the cutting edge. By the time I've gotten down to the fine-tuning of the edge itself, I might only be using one or two thickness of paper over the glass. This greatly reduces the chances of rounding the edge, as could happen with an errant pass or two over softer backing.
David
Convex material (air/fluid/tomato/etc..) dynamic make sense however do depends on relative velocity between 2 interactants (i.e. blade & material). Slice/cut vs chop would make a big difference on the result, depends whether the objective is penetration or edge preservation.Excellent discussion!
I wonder if I might posit that if we look at drag through various mediums, air, being the thinnest practical medium, could render useful comparisons about convex edges. The two areas don't seem to be directly related, but the best bullets with the least drag use a secant ogive profile to maintain velocity and reduce wind drift. There are cone-shaped bullet profiles, but they are almost never used for any long-range, low-drag applications. The bullet profiles correspond somewhat to edge geometry in this case.
The fact that the edge shoulder creates a more sudden directional change to the energy flow of resistance dictates that it demands more energy to traverse any given medium.
Maybe this would also tend to explain why, at least in my experience, flat ground blades seem to cut better/easier than other profiles.
Any thoughts?
Here is a REALLY quick example of how I convex my knives. I normally do my convexing on a Water Stone.
[/IMG]![]()
I like to convex my knives, if I am planing on doing any heavy chopping. They are just plain SHARP!
People say they hold their edge longer as there is more behind the edge, I say they hold their edge for a similar amount of time but the gometry is making it cut with less resistance![]()