Cyrano
Gold Member
- Joined
- Jun 13, 2015
- Messages
- 350
... The lighting intensity and angle, relative to the angle of view from the camera itself, is the most tedious and challenging part of getting a good picture, or at least a picture which clearly shows the details you want to highlight ...
Just so. Getting the right composition is a matter of seconds; getting the right lighting is a matter of many fiddly and often frustrating minutes.
... And depth of field is secondarily a challenge, being extremely shallow at such magnification ...
Have you tried focus stacking? My 'scope does this automatically with good results. I can get even better results by stacking images manually in Photoshop.
Single image, looking down at a knife tip pointing up:

Stacked images:

... The biggest drawback with my particular unit is the coaxial built-in light source. I usually rely on some secondary light source instead, turning the unit's own coaxial lighting down/off, because it's sourced too close to the center axis of the unit as a result of it's narrow design. It's basically like shining a penlight into a mirror, in trying to illuminate the bevels on a freshly-sharpened edge. Some sort of oblique lighting, coming in from the side, usually works much better.
That's my experience exactly.
My 'scope offers some remediation by allowing the coaxial LEDs to be toggled on/off in quadrants. Depending on the magnification in use (which determines working distance and thus determines angle of illumination,) this can offer some degree of directional lighting. I've shown this in my images above.
My 'scope also offers polarization. This can be effective when the surface details of interest have a different texture, or a different spatial orientation, from other areas in the image field.
For oblique lighting, I use a blunt instrument and a scalpel. The blunt instrument is a conventional gooseneck microscope illuminator. The scalpel is DIY: a tiny LED, powered by two AA cells.


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